Meet the Students: Orientation Leaders

Each summer in August, a special group of Curtis students comes together to welcome their new colleagues to Philadelphia as New Student Orientation (NSO) begins. Curtis’s orientation leaders return to school early to fulfill an important role. Many of them were incoming students themselves only a year before, and all are well-equipped to help new students find campus resources, show them how to get around the city, and make sure every new student is on track as orientation events unfold.

Most important, orientation leaders serve as the first introduction to the Curtis family, embodying the supportive, collaborative environment students will experience over their next few years.

Voice student Hannah Klein is committed to her role as an orientation leader, recalling her own first weeks on campus. “I remember being 18, wide-eyed, and simultaneously excited and terrified,” she says. “I distinctly recall seeing the jocular rapport the leaders had with each other and thinking, ‘Wow, I can’t wait to be a part of this.'” Introducing new students to the Curtis family is Hannah’s primary motivation as an orientation leader, and she enjoys “being able to rally and witness the collective enthusiasm of the leaders welcoming the new students.”

Again Hannah references her initial impressions as a new student a couple of years ago. “The community I saw made the terror of coming to a school where people perform at such a high level so much less scary, and that is what I hope to be able to offer to new students.”

Now that the school year is underway, all of our orientation leaders will return to their busy musical lives—practicing, performing, and studying. But for several of them, mid-August 2020 is already penciled into their calendar as an opportunity to meet and welcome the next class of brand-new students.

Meet the Students: Yuwon Kim

This weekend, conducting fellow Yuwon Kim will conduct at Verizon Hall for the first time, leading the Curtis Symphony Orchestra in The Unanswered Question by Charles Ives. This unique work divides the orchestra into three distinct groups of musicians. We spoke with Yuwon about her time at Curtis so far, and what it’s been like to lead the orchestra in rehearsals.

It’s your first year at Curtis—what has been a notable or meaningful moment for you so far?
I would say one of the most meaningful and memorable moments at Curtis so far is, when I got to meet Yannick for the first time and played Mahler 5 for him. It was such an honor and privilege that I could be able to perform in front of my idol, who I’ve wanted to meet in person ever since I started studying conducting. The lessons I have gotten from Yannick were very inspiring, not only his musical advice, but the way he teaches, and his personality as a human being.

What have you gained from working with the Curtis Symphony Orchestra?
I think the students are very passionate and have a desire to learn music through the orchestra. They are very talented and responsible to their jobs, even though there are many young students. And that really encourages me to work even harder.

Have you had a chance to work with (guest conductor) Mark Russell Smith? What have you learned from him during the rehearsal process?
This is my first time working with Mark Russell Smith and I am learning a lot from him through the rehearsals. His musical ideas and knowledge of the background of the pieces are very clear, which helps me to understand and approach the music more easily.

I also had a chance to talk and go through Ives’s Unanswered Question with him. He gave me much advice regarding score analysis, conducting gestures, and even considerations of rehearsal technique.

What’s your favorite thing about Ives’s Unanswered Question? Had you ever conducted this piece before?
I have never conducted this piece before, and it is going to be my first time performing it. There are three important main roles in this music: the trumpet asking questions, flutes answering those, and the strings as carpet of sound. This feels like a drama to me somehow. The trumpet and strings will be offstage, which will create an interesting sound effect. I look forward to it and am very excited!

Why should aspiring conductors choose Curtis?
For conductors, it is rare to meet and have opportunities to work with a high-level student orchestra every single week, and it is inspiring to be surrounded by talented musicians. Especially because there are many events going on here at Curtis all the time, including student recitals, orchestra concerts, and opera.

Last but not least, I think it would be a nice experience to have a chance to live in the city where you can easily go and visit Philadelphia Orchestra concerts, museums, and historical places whenever you want. These help you to grow as a mature artist.

Be sure to catch the Curtis Symphony Orchestra this weekend as Yuwon makes her Verizon Hall debut on Sunday. Or join us in the suburbs on Saturday for a performance at Immaculata University. We hope to see you this weekend!

Curtis Announces Performance Certificate in Improvisation

PHILADELPHIA, PA—December 4, 2018—As a new offering in the 2018–19 school year, the Curtis Institute of Music has established a performance certificate program in improvisation, designed to give existing Curtis students an additional tool for community and audience engagement. Noam Sivan, a notable pioneer in the revival of improvisation in the classical music world and a Curtis faculty member since 2009, will direct the program.

The school has incorporated improvisation into its curriculum over the past several years, prior to the creation of the new certificate program. “Improvisation develops confidence and imagination, and most importantly, it allows our students to apply their knowledge of harmony, counterpoint and ear training to actual playing and performing,” says Jonathan Coopersmith, chair of musical studies at Curtis. “I’m extremely proud that Curtis is offering the first improvisation certificate in North American higher education designed specifically for classical musicians.”

Available to students pursuing any major, the program provides enrollees with individual improvisation lessons and opportunities to perform improvised works on the weekly Student Recital Series, both as soloists and in chamber ensembles. Over the course of two years, students will acquire practical skills in the grammar of improvisation, achieve a solid understanding of musical structure, and develop a personal voice. Collaboration will play a key role in the learning process, as students enhance their ensemble skills through chamber improvisation, develop creative concert programming, and explore partnerships with practitioners of other art forms.

A reinforcement of Curtis’s mission to educate and train exceptionally gifted young musicians to engage a local and global community through the highest level of artistry, the ability to improvise opens new avenues for concert programming, music pedagogy, and collaborative efforts. Proficiency in improvisation serves as a complement to students’ participation in the artist-citizen curriculum, launched at Curtis in 2014 to equip students with the essential skills they need as musicians in the 21st century.

The performance certificate in improvisation is the second supplementary certificate available to Curtis students. Having recognized supplementary harpsichord study since 2001, Curtis now offers a certificate in historical performance practice under the direction of faculty members Leon Schelhase and Matthew Glandorf.

Director of Improvisation Noam Sivan is a composer, pianist, improviser, conductor, and interdisciplinary artist who has been featured in venues internationally, including Carnegie Hall’s Zankel Hall, Paris’s Salle Cortot, Montreal’s Schulich Hall, Cultural Center of the Philippines, Ravinia Festival, and Tel Aviv Museum.

A notable pioneer in the revival of improvisation in the classical music world, Dr. Sivan has given evening-length improvised piano recitals; conducted orchestral improvisations; and collaborated on multidisciplinary improvisations with musicians, singers, dancers, and actors. His 2017 album Ambiro’s Journey, the first-ever piano improvisation studio album featuring more than 70 minutes of continuous music recorded in a single unedited take, has been described as “a new marker in the evolution of improvisation.” In 2013 he became the first musician from North America invited to perform and lecture at the all-European ERASMUS Improvisation Intensive Project in the Netherlands.

As a pianist, Dr. Sivan premiered his own piano concerto in the triple role of soloist, conductor, and composer. He performed Bach’s Goldberg Variations, followed by his live improvisation on the piece, for an Israeli national TV broadcast. He gave the Asian premiere of the Viktor Ullmann piano concerto with the Philippine Philharmonic Orchestra. His compositions have been presented by the Jerusalem Symphony Orchestra, New York Philharmonic Biennial Festival, Mannes Opera, New York City Ballet’s Choreographic Institute, the Horszowski Trio, and many others. 

Born in Israel, Dr. Sivan holds a doctorate from the Juilliard School, where he is also on faculty.  He has taught at Mannes College of Music for ten years, and joined the faculty of the Curtis Institute of Music in 2009.

The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. One of the most selective schools in the United States, Curtis accepts four percent of applicants each year on average. A tuition-free policy ensures that talent and artistic promise are the only considerations for admission. With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by personalized attention from a celebrated faculty and a “learn by doing” philosophy. Curtis students hone their craft through than 200 orchestra, opera, and solo and chamber music offerings each year in Philadelphia and around the world.

 

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Meet the New Students: Claire Thai

Claire Thai is a harpist from Tucson, Arizona.  She has just entered Curtis as an undergraduate, and began studying the harp when she was only five years old, having already started the piano at age three. Claire has won several important competitions, and gave a solo recital at the World Harp Congress in 2017. Claire is creative in other ways, too: she is a composer and last year scored a film for the Vail Preservation Society; and she builds her own computers. Here she shares her enthusiasm about Curtis, where she has already played in several readings and rehearsals as a member of the Curtis Symphony Orchestra. Claire is studying with Philadelphia Orchestra principal harp Elizabeth Hainen. Join us in welcoming Claire and all of our new students to the Curtis family!

What has been your most important musical experience until now?
When I performed the final movement of the Ginastera harp concerto with the Phoenix Symphony. There is nothing more exciting or inspiring than performing one of my favorite pieces with such an amazing orchestra.

How did you hear about Curtis, and what are you looking forward to most?
I’ve wanted to attend Curtis from a very young age. I am really looking forward to working on chamber music here; I’ve never had the opportunity to perform much chamber music before.

What has it been like to play with the Curtis Symphony Orchestra?
I love being a part of the Curtis Symphony Orchestra! It is so inspiring to be able to play in a group of such amazing musicians and to hear the incredible musicality and attention to detail they all put into their music.

Meet the New Students: Martin Luther Clark

Martin Luther Clark, a tenor from Marshall, Texas, entered Curtis’s opera program this fall after earning a bachelor’s degree and graduate artist certificate at the University of North Texas. He’s also sung roles with Central City Opera and Lyric Opera of Kansas City, and appeared as a soloist with the Kansas City Symphony. Martin is jumping right into roles with the Curtis Opera Theatre, singing in both fall productions: He’s the First Sailor in Dido and Aeneas (October 4–7) and Tobias in Sweeney Todd (November 14–16). Here he shares his excitement about the year ahead.

How did you hear about Curtis?
A mentor of mine mentioned he graduated from Curtis and he had a very successful career, but I never researched Curtis until an agent and a vocal coach strongly recommended I apply. I’m so glad I actually listened because this place is nothing short of amazing! One of the most interesting things I’ve noticed is the musical maturity in the students here. I’ve not heard every student perform but from what I have heard performed live or practiced through the walls is that each student has a romantic passion for their music. Their gift of music just freely flows and I believe it simply comes from the “learn-by-doing” way of teaching.

What has been your most important musical experience until now?
Studying with my opera director and taking organ lessons, both at the University of North Texas. Working with my opera director really taught me mental discipline when it came to studying text in different languages. When I reached graduate school, I decided to take secondary organ lessons. This helped me define my method of learning and understanding music, which is different from learning and understanding text. It was a revolutionary moment that gave me a huge sense of confidence in my musicianship skills.

What makes you excited about the year ahead?
I’m looking so much forward to the growth I’m going to have as both a person and a professional musician. Judging by just the few coachings I’ve had with the opera staff, I have a lot to be excited about for the future in terms of vocal and professional development.

Any initial thoughts about the experience of preparing an opera at Curtis?
The amount of heart that goes into the process of putting on a production by everyone has been life-giving. The coaches and production staff have all been incredibly helpful and so easy to work with. So far being at Curtis has sparked new motivation within me and I can’t wait for the rest of the year!