Teddy Abrams Named Conductor of the Year

Musical America Worldwide has announced its 2022 Award Winners, including Teddy Abrams (Conducting ’08) who was named Conductor of the Year. In the announcement, Musical America praised Mr. Abrams, music director of the Louisville Orchestra, as an inventive collaborator who is always “looking for ways for orchestras to empower their musicians.” Read more about his stunning rise and upcoming projects, including an original concerto premiere with Yuja Wang (Piano ’08).

Meet the Community Artist, String Quartet, and Conducting Fellows

Curtis is proud to offer several professional diploma programs designed to mentor artists at the beginning of significant careers. Through intensive training with key mentors and real-world performance and teaching opportunities, these young musicians are creating impact as leaders at Curtis and throughout the Philadelphia community. Explore their activities below and learn more about applying for similar programs in the 2022–23 academic year.

Three Curtis graduates are hard at work this year as Community Artist Fellows. Justin Goldsmith (String Quartet ’20) returns for a second fellowship year, along with Ying Li (Piano ’19) and Grace Takeda (Viola ’21). They will work with community partners in Philadelphia to provide rich artistic experiences to underserved communities and participate in the city-wide Rehearsing Philadelphia project, in partnership with Drexel University’s Westphal College of Media Arts & Design and artist Ari Benjamin Meyers.

Meet the fellows and explore ongoing partnerships.

The Viano String Quartet has joined Curtis as the string quartet in residence for 2021–22. Recently added to the roster of Opus 3 Artists, the quartet comes to Curtis with an impressive list of accomplishments and experience, including top prizes at the Banff International String Quartet Competition in 2019 and a residency at the Colburn School which concluded this past spring.

Read more in the full announcement and view content from a recent tour on Instagram (@vianostringquartet)

Conducting fellows Robert Kahn and Jacob Niemann return for another year on the podium. Closely involved with efforts to reinvent large rehearsals online and helping to facilitate inventive ways to engage with audiences, both conductors look forward to leading student ensembles in-person. See Robert in action conducting the world premiere of MERCY, an opera/film from the Curtis Opera Theatre, in early November. Jacob makes his Verizon Hall debut with the Curtis Symphony Orchestra in April.

World Premiere of MERCY, an Opera/Film from the Curtis Opera Theatre, Opens November 6

Written and directed by Chas Rader-Shieber and Alek Shrader with music based on La clemenza di Tito

PHILADELPHIA, PA—October 27, 2021—The Curtis Opera Theatre radically reimagines Mozart’s La clemenza di Tito with MERCY, an opera/film premiering in four showings at the Philadelphia Film Center on November 6 (1 p.m., 4 p.m., 7 p.m., and 9:15 p.m.). Co-writers and -directors Chas Rader-Shieber and Alek Shrader tell a new story of jealousy, revenge, and forgiveness through the convergence of two realities—a black and white cinematic mindscape and a real-world recording studio. MERCY will also be available for online streaming beginning November 7.

This innovative project draws on a reorchestrated score of La clemenza di Tito and striking cinematography to reimagine an operatic experience. The talented singers of the Curtis Opera Theatre are accompanied by a small ensemble of alumni and members of the Curtis Symphony Orchestra, under the musical direction of Grant Loehnig and conducting fellow Robert Kahn. Audiences will experience the vocal artistry of our performers as themselves in the present day. Meanwhile, stories and intense emotions surface as they embody the roles of the emperor Tito, the vengeful Vitellia, and more, transporting viewers to a parallel world inspired by the silent film era. All these elements combine to create an emotionally interactive experience, unlike any production seen before. The opera/film runs about 90 minutes and is sung in Italian with English subtitles. More information and trailer is available at Curtis.edu/MERCY.

MERCY was filmed by the award-winning Neighborhood Film Company at Rittenhouse Filmworks and Rittenhouse Soundworks. All rehearsal and filming took place in March 2021. Writer and director Chas Rader-Shieber is the resident stage director at Curtis, and has created over 30 productions for the Curtis Opera Theatre in his long association with the company. Writer and director Alek Shrader, an in-demand operatic tenor, makes his debut with the school in this project. Grant Loehnig, master opera coach at Curtis, provided musical direction. The Curtis Opera Theatre is generously supported by the Ernestine Bacon Cairns Trust, the Horace W. Goldsmith Foundation, and the Wyncote Foundation.

Tickets to in-person screenings for $13 are available through the Philadelphia Film Center at Filmadelphia.org. Online streaming is $6.99 for a 72-hour rental between November 7 and January 6. Preorder now at Curtis.edu/MercyOperaFilm.

The Curtis Opera Theatre has become known for imaginative productions, bold concepts, and absorbing theatre. Under the artistic direction of Eric Owens, promising young singers work alongside established professional directors and designers, resulting in fresh interpretations of standard repertoire and contemporary works. All of Curtis’s 20 students in vocal studies are cast regularly throughout each season, receiving a rare level of performance in fully staged productions, in recitals at Field Concert Hall, and as soloists with Curtis on Tour and the Curtis Symphony Orchestra. Curtis’s educational approach opens professional opportunities for Curtis graduates, who sing with top opera companies across the United States and Europe, including La Scala, Covent Garden, the Vienna Staatsoper, Houston Grand Opera, the San Francisco Opera, and the Metropolitan Opera.

 


 

CURTIS OPERA THEATRE: MERCY, AN OPERA/FILM

Saturday, November 6 at 1 p.m., 4 p.m., 7 p.m., and 9:15 p.m.

Philadelphia Film Center

1412 Chestnut Street, Philadelphia

 

Available for streaming online November 7 through January 6

 

Chas Rader-Shieber, writer and director

Alek Shrader, writer and director

Grant Loehnig, music director

Robert Kahn, conductor

 

With music based on Wolfgang Amadeus Mozart’s La clemenza di Tito

 

Cast

Tito Ethan Burck
Vitellia Sophia Hunt
Sesto Anastasiia Sidorova
Annio Sarah Fleiss
Servilia Lindsey Reynolds
Publio Thomas Petrushka

 

An opera/film with alumni and members of the Curtis Symphony Orchestra, sung in Italian with English subtitles

 

Tickets for in-person screening: $13, sold by the Philadelphia Film Center, Filmadelphia.org

 

Online streaming: $6.99 for 72-hour rental, preorder at Curtis.edu/MercyOperaFilm

 

The Curtis Opera Theatre is generously supported by the Ernestine Bacon Cairns Trust, the Horace W. Goldsmith Foundation, and the Wyncote Foundation.

Curtis Institute of Music Receives Transformational $20 Million Gift to Advance the School’s Strategic Vision

PHILADELPHIA—October 7, 2021—The Curtis Institute of Music announces that it has received an extraordinary gift of $20 million from an anonymous donor, to further the school’s bold strategic direction as it approaches its centenary in 2024.

“Curtis has an unparalleled record of success and impact, providing excellence in musicianship which can be experienced throughout the world, and has demonstrated tremendous resilience and innovation,” said the donor, who has asked to remain anonymous. “Our family is so proud to be part of this very special and caring organization and we are fortunate to be able to help further the school’s strategic vision in this way.”

Among the largest single gifts in Curtis history, most of the $20 million gift will be added to the endowment, ensuring that the entire Curtis community benefits from its tremendous impact.

“We are humbled by the generosity the donor has shown to the Curtis community, and are energized by the faith it shows in our strategic initiatives that focus on true innovation and reimagining future careers,” says President and CEO Roberto Díaz. “This incredibly generous gift marks a truly transformational moment for Curtis, and will have an immediate, significant impact on our school and students for decades to come.”

This gift will provide the resources to implement two of the school’s long-desired, key areas of focus: eliminating the need for students to incur loan debt for expenses while at Curtis, and investing in the school’s renowned organ department, which continues to raise the prominence of Philadelphia as a center for organ music. These priorities were selected by Curtis, in consultation with the donor, for their level of urgency and capacity for deep and enduring impact.

“A gift of this magnitude is indicative of the donor’s confidence in Curtis’s strategic vision, and an expression of profound trust in our leadership to deliver on that promise,” said Deborah M. Fretz, chair of the board of trustees.

The $20 million gift makes it possible for Curtis to invest in the following two areas, furthering the mission and vision of the school.

Elimination of Student Loan Debt

Although Curtis has been tuition-free since 1928, thanks to the generosity of founder Mary Louise Curtis Bok, it is not cost-free. Over the course of their studies at Curtis, students can incur significant living expenses which they are unable to meet through family contributions and need-based aid programs that already exist at Curtis. Many students take out personal loans to meet these expenses, and after graduation, these loans can significantly impede the artistic freedom and careers of young musicians. This gift expands Mrs. Bok’s vision by greatly enhancing Curtis’s existing need-based aid programs to eliminate loan debt for students. Starting in the 2022–23 school year, incoming and current students can apply for grant aid from Curtis to assist with living expenses and other fees. Graduating from Curtis with no loan debt will be pivotal for its young artists, helping to unleash their potential to truly innovate and be creative at a crucial time in their careers. Removing the stress of loan debt is significant in addressing overall student well-being, a key focus for Curtis. Read more about financial aid at Curtis.

Organ Department Initiatives

Curtis has a long history of training some of the world’s great organists, and is unique among programs for its small size, high degree of mentoring from teachers, and extensive training on a variety of instruments and settings. Graduates serve as organists for Washington National Cathedral, the Tabernacle Choir at Temple Square, and St. Bartholomew’s Church in New York City; hold significant positions at schools such as the Juilliard School, Westminster Choir College, and the University of Southern California; and win major competitions such as the Longwood Gardens International Organ Competition and the Albert Schweitzer Organ Festival Hartford.

As a result of this gift, Curtis’s organ department will reach new heights through the addition of new instruments and a number of new and expanded initiatives, while also strengthening Curtis’s relationships with institutions around the city and across the globe. Curtis will commission a new organ for the school, ensuring that students have a world-class instrument always at their fingertips. This organ will replace the existing instrument currently in Field Concert Hall at 1726 Locust Street, an historic building which has undergone significant refurbishing and renovations during the pandemic. Curtis will start to implement its reimagined summer program offerings, with the permanent addition of the Philadelphia Young Artists Organ Camp and creating programs such as a workshop for young quartets with the Dover Quartet. In another area of significant expansion, Curtis will invest in its organ scholar program starting in 2022–23, placing students as organ scholars at Philadelphia area churches to ensure a grounded education in organ liturgy and church repertoire. These initiatives are especially fitting this year, as the school celebrates its storied keyboard departments in the lead up to Curtis’s centenary in 2024. Read more about the Curtis organ department.

This $20 million gift is one of the largest donations in the school’s 97-year history. In that time, the school has received three other single donations over $10 million. In 1928, shortly after Curtis first opened its doors, visionary founder Mary Louise Curtis Bok presented the school with $12.5 million to establish full-tuition scholarships for all students—a pivotal moment for Curtis that still resonates deeply to this day. H.F. “Gerry” and Marguerite Lenfest provided an extraordinary level of support in 2009, allowing Curtis to double the size of its campus with a $30 million challenge grant to build Lenfest Hall; endowing numerous faculty chairs; and investing in curricular, student health, and technology initiatives to help the school cement its position at the leading edge of conservatories worldwide. In 2016 Nina Baroness von Maltzahn contributed $55 million to Curtis in recognition of the school’s unwavering commitment to excellence. In honor of that gift, Curtis named two key initiatives in her honor: the Nina von Maltzahn String Quartet Program and Curtis on Tour, the Nina von Maltzahn Global Touring Initiative.

The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. For nearly a century Curtis has provided each member of its small student body with an unparalleled education alongside musical peers, distinguished by a “learn by doing” philosophy and personalized attention from a faculty that includes a high proportion of actively performing musicians. Curtis makes an investment in the artistic potential of its students, providing them with full-tuition scholarships and need-based grants for living expenses to ensure that each student can enter the profession without educational debt. In a typical year, Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings in Philadelphia and around the world.

 

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Meet the New Students: Adrian Wong

Composition student Adrian Wong grew up in Hong Kong and completed his Bachelor of Music at the University of Michigan this past spring. He credits his undergraduate experiences with much of his musical growth, but is looking ahead to new—and some unexpected!—collaborations and opportunities at Curtis.

 


 

What has been your most important musical experience until now?

My most important musical experience so far has been completing my undergraduate degree and meeting so many performers and professors who would advocate for my music. Thanks to them, I’m having a piece premiered by the Hong Kong Philharmonic Orchestra soon and already have a choral piece published by Hal Leonard.

What was your favorite part of orientation?

I never thought I would play dodgeball in Gould Rehearsal Hall … but we did! It was definitely the most fun I’ve had during orientation. The whole right side of my body was sore the next couple of days! Exploring the art exhibits at Wonderspaces was also really eye-opening and inspiring. Concepts for a myriad of pieces flashed through my head as I was walking through that space.

What are you looking forward to most about attending Curtis?

Becoming friends with the best young performers in the world and collaborating with them to write music that we are all excited about. It’s only been a couple of weeks and I already have a piece planned for countertenor and string quartet!

What was the last performance you participated in?

I was very lucky to have a string quartet (about eggs!) premiered at the Lake George Music Festival in August. While I collaborated with other festivals and ensembles during the pandemic, it was the first live new music concert I’ve been to in ages. It reminded me what a valuable experience live music is and how, no matter the fidelity of the recording, live music can never be truly replicated.

What have you done to explore Philadelphia so far?

Due to missing home and living in Ann Arbor—a place with no Chinatown—for four years, I have eaten at five different ramen places in Philadelphia within the first week and a half of being here!