Curtis Alumnae Sarah Fleiss and Emily Damasco Win Prizes in the 2023 Hal Leonard Vocal Competition

Congratulations to Sarah Fleiss (Voice ’23) and Emily Damasco (Voice ’23), who were recently announced as winners of the 2023 Hal Leonard Vocal Competition. Established in 2011 by the world’s largest print music publisher and leader in vocal music, the competition was one of the first of its kind held entirely on YouTube. Ms. Fleiss was awarded first prize, and Ms. Damasco was awarded third prize in the college/university voices, art song category for undergraduates ages 18–23.

Watch Sarah Fleiss’s performance HERE.

Hal Leonard awards over $10,000 in cash and gift certificates in its support of vocal music across North America to recognize the accomplishments of singers and their voice teachers and encourage singers to build a music library for their studies. Ms. Fleiss sang Giuseppe Verdi’s art song “Stornello” and was accompanied by Curtis collaborative pianist Ting Ting Wong. Ms. Damasco performed Claude Debussy’s “Apparition,” with Curtis opera and voice coach Reese Revak.

Learn more about the 2023 Hal Leonard Vocal Competition winners HERE.

Watch Emily Damasco’s performance HERE.

Photos of Sarah Fleiss and Emily Damasco by Nichole MCH Photography.

Curtis Opera Theatre: Ariodante (Photo Roundup)

Curtis Opera Theatre‘s dazzling, haute couture-inspired production George Frideric Handel’s Ariodante recently closed out the Curtis Opera Theatre’s 2022–23 season at the Perelman Theater in the Kimmel Center. This Baroque masterpiece follows the story of Princess Ginevra, daughter of the King of Scotland, and her fiancé, the noble knight Ariodante. Acclaimed director Omer Ben Seadia led a cast of rising young opera stars accompanied by members of Philadelphia’s baroque orchestra, Tempesta di Mare, under the baton of renowned conductor David Stern.

Check out photo highlights below, showcasing both of the Ariodante casts, courtesy of Ashley E. Smith and Wide Eyed Studios.

Commencement: Curtis Celebrates the Class of 2023

On Saturday, May 13, at the historic Field Concert Hall, Curtis awarded degrees, diplomas, certificates, and special prizes to the 50 graduates of the class of 2023. Graduates received their diplomas and enjoyed the festivities with family and friends, alongside their fellow students.

President Díaz presided over the ceremony, and speakers, including award-winning conductor Osmo Vänskä and graduating voice and violin students, Sarah Fleiss and Tianyou Ma, addressed the graduates and their families, faculty, staff, and friends. Maestro Vänskä received an honorary Doctor of Music degree for his contributions to music and to Curtis.

“I want to welcome the graduate’s parents and families, faculty, trustees, staff, and friends. It’s wonderful to have the opportunity to be here together again for our 90th commencement ceremony, and it’s particularly wonderful to be able to do it back in our house. It’s been a while. It’s been a great year. It’s also been a year that wasn’t always easy, but it shows the ability to be resilient, dedicated, and good to each other.

“This graduating class has had some pretty amazing challenges to overcome, and when I think about the fact that most of you have been here at school for an average of four years, and I think about the last three years, it certainly wasn’t an easy journey. But I congratulate you on everything that you’ve done and everything that you’ve achieved, and I know that you will have an incredible future with all of the skills that you’ve developed through these tough years, so congratulations.”

President and CEO Roberto Díaz

View the Commencement program (PDF)

Musical Offerings

Aaron Patterson (Organ ’22), assistant organist at Philadelphia’s Tenth Presbyterian Church and assistant Wanamaker Grand Court organist, provided the ceremony’s prelude, interlude, and postlude, opening the ceremony with Felix Mendelssohn’s reflective Sonata in D major and Charles-Marie Widor’s stirring Adagio, from Symphony V, followed by Robert Elmore’s popular Alla Marcia, during the processional.

For the interlude, Mr. Patterson played David Hurd’s Organ Point and brought the ceremony to a close with a virtuosic performance of late organ alumnus and faculty member John Weaver’s (’59) crowd-pleasing showpiece Toccata, and the final “Allegro” movement of Mendelssohn’s dynamic Sonata in D major,

View the Commencement video

Student Speakers

Violinist Tianyou Ma, prize winner in numerous international competitions, including the Menuhin Violin Competition in 2018 (where he was also the recipient of the Bach Prize), the Postacchini Competition in 2015, and the International Summer Academy of the MDW string competition in 2018, spoke about the meaning of life, compared food to music, and rallied his fellow graduates to trust their own musical instincts, voices, and hearts.

“Let us not forget our values, confidence, and respect for our own opinions. My dear fellow graduates, we have devoted countless hours to perfecting our craft, pushing ourselves to new heights, and protecting our compassion in music. The music we play is not just for ourselves but for humanity. Let us be the messengers that bring classical music alive.

“Together we can arouse curiosity in teens, motivate the youth, and touch the old. Let us remember that the quintessential reason to be where we are right now is to play music, enjoy music, consume music, and savor its aftertaste. It is our perpetual duty to feed this music to every soul that calls for it.”

Soprano Sarah Fleiss, first place winner of the 2023 Hal Leonard Vocal Competition and 2022 first prize winner of the Shirley Rabb Winston Scholarship by the National Society of Arts and Letters, welcomed the new class of alumni, recounting her time at Curtis, academic journey, and growth as a student, artist, and human being.

“Thanks to the enabling of Dr. McGinn, I now have a breath of quotes to pull from, including the likes of Ralph Waldo Emerson. He stated, “The sun illuminates only the eye of man, but shines into the eye and heart of the child.” I urge you to find that childlike joy—the endless curiosity to create, express, and inspire. When you leave that place, the nonsense floats away. It’s not about being better then but finding the best version of yourself—that inner child that traveled wide-eyed through the world with hopes of the future and an unflinching sense of self.

“It’s a scary world, one filled with a lot of unknowns. We as musicians have the opportunity to explore this unknown in all of its shades, in all of its beauty. My hope for all of you and myself is to find that joy, not only within music, but in all areas of life, because time flies—for God’s sake, we’re graduating already. Speaking of, thank you to my friends, some of whom I’ll be seeing next year, some I’ll hopefully be seeing across the stage one day. Thank you for your talent, dedication, and the love that you already bring to your endeavors. I can only hope that we lead by example and the rest of the world can do the same.”

Distinguished Guest Speaker

Osmo Vänskä, internationally acclaimed, award-winning conductor, clarinetist, and composer, received an honorary Doctor of Music degree and gave an inspiring speech on learning from your peers and your mistakes.  Conductor Laureate of the Minnesota Orchestra, where he held the Music Directorship for 19 years, and Music Director of the Seoul Philharmonic Orchestra from 2020 to 2023, Mr. Vänskä discussed the importance of being humble and constantly learning and evolving.

“Honing one’s craft is a lifelong process. The thing that keeps me so engaged and passionate about music is that I’m constantly learning and evolving—whether it is from working with the best professional orchestras, the best musicians, or the extremely talented students here at Curtis. You can learn just as much from your peers as from your teachers and mentors, and it’s essential to always keep an open mind. Your fellow students sitting next to you today will be your lifelong colleagues, and what makes music so unique and wonderful is that while you come from different countries, backgrounds, and cultures, you all speak the same common language of music.

“Making mistakes is also an invaluable part of the learning process. When I was starting out as a conductor, I had a big ego and felt like I knew everything there was to know about the profession. It felt like a waste of time for me to listen to someone’s opinions about music interpretation or how to study music.  Today, I know much more about psychology and the mentality needed for a leadership role. I have come to realize that just because I am the one waving the baton on the podium, it doesn’t mean that I am necessarily any better or smarter than the people I am conducting.

“In recording sessions, we have five takes, fifteen takes, or even seventy-five takes to make one movement of music as perfect as possible, but in real life, we only get one take. It’s very unfair. Music is a resource for all of us, especially when we are going through hard times. It can comfort us, and it can also give us some hope to keep going. I don’t know about you, but that became even more obvious to me during the early days of the pandemic when I was unsure when or even whether concerts would ever resume again. Because of that, I feel even more lucky and thankful to be here with you today in person, celebrating this huge milestone in your lives. Congratulations on all of your hard work, and I look forward to seeing all that you accomplish in the years to come.”

Alumni Address

Laurie Sokoloff (Flute ’66), former Baltimore Symphony Orchestra piccoloist and retired Peabody Conservatory faculty member, welcomed the new graduates. Ms. Sokoloff shared her musical journey, which began as a young child, studying piano with her mother and Ralph Berkowitz and solfège lessons with Luigi Zaninelli. She then took early flute lessons with John Krell, solo piccoloist of the Philadelphia Orchestra.

At age 14, Sokoloff began her studies at Curtis with William Kincaid, principal flutist of The Philadelphia Orchestra, while simultaneously finishing high school. By the time she graduated at age 18, she was already the contracted piccoloist with Philadelphia’s two opera companies and the Pennsylvania Ballet. Ms. Sokoloff won the solo piccolo position with the Baltimore Symphony Orchestra and remained in this position for 47 years until her retirement in 2015.

“It’s a great honor to be here, as it is a great honor to be an alumna of the Curtis Institute of Music. It’s such a welcomed and special occasion to honor my mother, Eleanor Sokoloff. I know you were all aware of mother’s remarkable and unflagging 82 years of teaching at Curtis, giving to all of you individually and giving devotedly to the school as a treasured and beloved Institution. She felt incredibly blessed to teach what she considered the best school, with the best and most revered faculty and the best and most remarkable students.

“What is equally true is the multitude of blessings the school and you, the students, gave to her—even those who did not study with her—she knew you from pouring your tea; she would often speak of you, your warmth, respect, humor, and kindness. She celebrated your work and your every success. It is especially sad she can’t be here today to join me in congratulating all of you who are newly graduating. When COVID came, it was no longer safe or possible for her to teach because her health declined rapidly. So, I want you to know you are all so responsible for her living richly and joyfully to the age of 106. I hope you take that understanding with you today and also know how deeply grateful I am. Thank you all.”

AWARDS AND PRIZES

Joan Hutton Landis Award for Excellence in Academics
Emily Dawn Amos (Organ)

Edward Aldwell Award for Excellence in Music Studies
Emily Dawn Amos (Organ)

Provost’s Award for Achievement in Career Studies
Hannah Culbreth (Horn) (in absentia)

Provost’s Award for Outstanding Citizenship
Yangyang Ruan (Piano)

Milka Violin Artist Prize
Tianyou Ma (Violin)

Charles Miller Prize: The Sergei Rachmaninoff Award
Yangyang Ruan (Piano)

Angelo Sylvestro Festorazzi Scholarship
Joseph Tancredi (Opera) (in absentia)

Mehlin Prize
Zhu Wang (Piano)

The Presser Foundation Undergraduate Scholar Award
Tobias Vigneau (Double Bass) (in absentia)

Diplomas and Degrees: Class of 2023

Certificate: 9
Post-Baccalaureate Diploma: 9
Bachelor of Music: 27
Master of Music: 5

The Curtis Institute of Music-Longwood Gardens Historic Connection

This Friday, May 12, GRAMMY Award-winning conductor Osmo Vänskä is teaming up with the Curtis Symphony Orchestra for the world premiere of composer Dai Wei‘s Awakening Lion as part of the orchestra’s highly-anticipated return to Longwood Gardens. This performance kicks off the school’s first-ever West Coast tour of the United States, May 12–22, 2023. Further information and tickets can be found HERE.

The Curtis Symphony Orchestra’s performance at Longwood Gardens marks the first time in 89 years that the full ensemble has performed at the historic gardens. The relationship between Curtis and Longwood predates the school’s first performance at the gardens in April 1934, when the Curtis Symphony Orchestra accompanied the Chester County Choral Society in a presentation of Gioachino Rossini’s Stabat Mater.

This partnership recommenced in 2004. It was followed by the annual Curtis student recitals, which began in 2010. Among many Curtis–Longwood connections, alumnus Samuel Barber (Composition ’34) composed his first piece for organ in 1925 at age 25 and dedicated it to Longwood founder Pierre S. du Pont. In 1956, organist Clarence Snyder (’42) took over for long-time Longwood organist Firmin Swinnen upon his retirement and remained at Longwood until 1978.

On May 18, 1941, The Philadelphia Orchestra performed at Longwood. From the early part of the twentieth century to today, there have been close ties between The Philadelphia Orchestra and the Curtis Institute of Music. From Curtis’s founding in 1924, principal musicians in The Philadelphia Orchestra served on the Curtis faculty, and Curtis graduates often went on to play in the orchestra. At the concert in May 1941 at Longwood, attended by Mr. du Pont, several Curtis faculty and alumni would have performed on stage in their roles as principals with The Philadelphia Orchestra.

These musicians include principal oboist Marcel Tabuteau, considered to be the founder of the American School of oboe playing, who also served on the Curtis faculty; principal flutist and longtime Curtis faculty member William Kincaid, considered to be a founder of the American school of flute playing; and principal harpist Edna Phillips (Harp ’31), the first woman to hold a principal position in a major symphony orchestra. They were also joined by longtime Curtis faculty members Mason Jones (Horn ’38) and principal bassoonist Sol Schoenbach.

In another interesting Curtis/Longwood connection, piano prodigy Mary Binney Montgomery (’28), also an accomplished actress and dancer, became a founder of the Montgomery Ballet, a dance troupe that often performed at the gardens in the late 1930s and early ’40s. In various archival materials and a program from the era, Curtis founder Mary Louise Curtis Bok Zimbalist (1876–1970) was listed as a patroness of the Montgomery Ballet. Ms. Zimbalist lived nearby in Philadelphia and supported Ms. Montgomery’s dance company and cultural organizations throughout the region.

Today, Alan Morrison (Organ ’93), Haas Charitable Trust Chair in Organ Studies at the Curtis Institute of Music, co-leads Longwood’s Organ Academy along with Longwood Gardens Principal Organist Peter Richard Conte. Composed of 10,010 pipes divided into 146 ranks, the Longwood Organ is the largest Aeolian organ ever constructed in a residential setting. The Gardens are well known for their collection of Aeolian organ rolls, many of which were donated by the Curtis Institute of Music. Although no definitive list exists either at Longwood or Curtis of which specific rolls were donated, the two organizations are bound by and share a love of organ music and performance.

In recent years, Curtis graduate Joshua Stafford (Organ ’10) took the Pierre S. du Pont First Prize in the 2016 Longwood Gardens International Organ Competition, while Bryan Anderson (Organ ’15) took the Firmin Swinnen Second Prize in 2019 and in June will compete in the 2023 Longwood Gardens International Organ Competition.

The Curtis Symphony Orchestra’s spring performance for Philadelphia-area audiences at Longwood amplifies this ongoing partnership, and deepens the local, national, and international performance, education, and community-driven efforts of both institutions.

Archival content courtesy of Kristina Wilson, archives manager of Longwood Gardens and former archivist at Curtis. 

For further information about the longtime relationship between Longwood and Curtis, read Longwood Gardens Communications Manager Katie Mobley’s blog post, A Beautiful Relationship, a Groundbreaking Performance.”

 

CURTIS ON TOUR
Curtis Symphony Orchestra West Coast Tour 2023
May 12–22, 2023

Curtis Symphony Orchestra
Osmo Vänskä, conductor
Yefim Bronfman (’77), piano
Janice Carissa (’22), piano

Learn more HERE.

KENNETT SQUARE, PA
Friday, May 12, 2023, at 7 p.m.
Longwood Gardens (Outdoors)

Curtis Symphony Orchestra
Osmo Vänskä, conductor
Janice Carissa (’22), piano

  • Dai Wei: Awakening Lion
  • Bartók: Piano Concerto No. 2 in G major, Sz. 95
  • Tchaikovsky Symphony No. 4

Presented by Longwood Gardens. For tickets and more information, visit www.longwoodgardens.org.

Photo credits: Photos of the Curtis Symphony Orchestra by David DeBalko. Portrait of Dai Wei by Lingyuan Zhao. Photos of Samuel Barber, Edna Phillips and Mason Jones courtesy of the Curtis Library and Archives. Photo of Clarence Snyder playing the Longwood Organ in the Ballroom, July 1956; courtesy of the Longwood Gardens archives. Photo credit is Gottlieb Hampfler. Photo of piano prodigy and dancer Mary Binney Montgomery courtesy of the University of Pennsylvania Libraries. Photo of Alan Morrison by Nichole MCH Photography. Photo of Joshua Stafford courtesy of Phillip Truckenbrod Concert Artists. Photo of Bryan Anderson courtesy of artist’s website.

 

The Viano Quartet and Chris Rogerson (Composition ’10) honored by the Chamber Music Society of Lincoln Center

The Chamber Music Society of Lincoln Center (CMS) has announced that nine individual artists and one ensemble, the Viano Quartet, the current Nina von Maltzahn String Quartet-in-Residence at Curtis, have been selected for the Bowers Program, a highly competitive three-season residency in which participants perform, tour, and teach alongside CMS artists. The Chamber Music Society also announced that Curtis musical studies faculty member Chris Rogerson (Composition ’10) was chosen as the winner of the Elise L. Stoeger Prize, an honor that recognizes significant contributions to the field of chamber music composition. The Bowers Program and Stoeger Prize reflect CMS’s ongoing support and development of chamber music artists and composers throughout their careers, on stage and off.

Congratulations to violinists Lucy Wang and Hao Zhou, violist Aiden Kane, cellist Tate Zawadiuk, and composer Chris Rogerson! Learn more about all the artists chosen for this year’s Bowers Program HERE, and read the official press release HERE.

Visit the websites of the Viano Quartet and Chris Rogerson. Photos of the Viano Quartet by Jeff Fasano Photography. Photo of Chris Rogerson courtesy of artist’s website.