Margaret Batjer (Violin ’80) has served as concertmaster of the Los Angeles Chamber Orchestra (LACO) since 1998. She is renowned as a violin soloist, chamber musician, and teacher, and has established herself as a versatile and respected artist worldwide. Margaret joined the faculty of the USC Thornton School of Music in 2005 and the Colburn Academy in 2014, where she teaches violin and directs the Academy Virtuosi Ensemble.

In February 2020 Anthea Kreston (Violin ’93) was featured in the New York Times for coaching a young violin student via Skype during the initial period of coronavirus lockdown in China. The youngster is one of several students Anthea routinely teaches using video-chat platforms. Curtis spoke with this avid educator about teaching her online students.

Recognized for intense, commanding performances, delivered with dazzling virtuosity and technical assurance, Jennifer Koh (Violin ’02) is a forward-thinking artist dedicated to exploring a broad and eclectic repertoire, while promoting diversity and inclusivity in classical  music. She has expanded the contemporary violin repertoire through a wide range of commissioning projects, and has premiered more than 70 works written especially for her.

Soprano Rhoslyn Jones (Opera ’06) is a sought-after vocalist across the United States and Canada, Career highlights include roles such as the Countess (Le nozze di Figaro), Musetta (La bohéme) and Tatyana (Eugene Onegin) for Opera Santa Barbara, Chicago Opera Theater, and the San Francisco, Arizona, Vancouver, and Pittsburgh operas; and concert appearances with numerous orchestras. She was a member of the Adler Fellowship Program at San Francisco Opera and has attended Ravinia’s Steans Music Institute and the Merola Opera Program. Rhoslyn is a gifted educator and was recently appointed to the faculty at the San Francisco Conservatory of Music.

Rene Orth (Composition ’16) recently served as Opera Philadelphia’s sixth composer in residence. Her work has been performed by opera companies and orchestras around the world, including the Berkeley Symphony, the Louisville Orchestra, Festival d’Aix en Provence, Fort Worth Opera, and Washington National Opera.

Rene’s first opera, Empty the House, was premiered in the Curtis Opera Studio in 2016, and was expanded as part of a double bill production, performed by the Curtis Opera Theatre in partnership with Opera Philadelphia and the Kimmel Center for the Performing Arts in May 2019.

Sandra Miller (Flute ’72) is a faculty member at the Juilliard School, specializing in baroque flute and chamber music. A winner of the Concert Artists Guild Competition and the Erwin Bodky Competition for Early Music, and the recipient of a Solo Recitalist’s Fellowship from the National Endowment for the Arts, Sandra is frequently invited to perform and record with many well-known period-instrument ensembles, including the American Classical Orchestra, the Trinity (Wall Street) Baroque Orchestra, Boston’s Handel and Haydn Society, Tafelmusik, and American Bach Soloists.

William Short (Bassoon ’10) spoke with Sandra about the ways her experiences at Curtis continue to shape her life and career today.

As the first string quartet in residence at Curtis and an increasingly sought-after international chamber ensemble, the Dover Quartet often functions as a unit. Here, we hear the individual voice of members Bryan Lee, Joel Link, Milena Pajaro-van de Stadt, and Camden Shaw in a series of podcasts from Kai Talim (Skip the Repeat). Kai spoke with each member of the quartet over several months from November 2017 to August 2018.

In 2018 Curtis launched a series of mini-profiles and interviews designed to dig deeper into the Curtis alumni experience. To kick things off, William Short (Bassoon ’10), former Alumni Network Executive Committee member and Curtis Storytellers project leader, shared this interview with Curtis Dean Paul Bryan (Trombone ’93), who also continues to teach and perform as a trombonist and conductor.