Overtones: Spring '26

In the Spring 2026 issue of Overtones, our cover story explores how artists and classical music presenters are marking the 250th anniversary of American independence. With the national political climate so polarized and contentious, how are composers appearing on anniversary programs this season?

Also in this issue, we explore the inspiration and purpose driving nonconventional chamber ensembles. How are groups with unusual instrumentation innovating the field?

This month’s Q+A spotlights Jonathan Biss (Piano ’01) who discusses how the pursuit of perfection in classical music hinders creative growth and originality. In Sound Off, faculty members Michelle Cann (Piano ’13), Benjamin Beilman (Violin ’12), and Mary Javian (Double Bass ’99), along with Elena Uriostoe (Violin ’08) and Min Kwon (Piano ’90), talk secrets of an unforgettable encore.

Eclectic harpist and new faculty member Noël Wan shares recs on music books, and films; Punch Brothers bassist Paul Kowert (’09) discusses the defining moment of his career; and Curtis luthier Christo Wood talks teaching instrument care. Plus, get a preview of a our book that chronicles the life and philanthropic largess of Curtis’ founder Mary Louise Curtis Bok.