Michelle Cann Delivers “Knockout” Debut Says Philadelphia Inquirer

In a recent review, the Philadelphia Inquirer lauded Michelle Cann’s (Piano ’13, ArtistYear ’15) debut as a soloist with the Philadelphia Orchestra. In “a knockout” performance of Florence Price’s Piano Concerto in One Movement, “[she] sets a standard,” the review says.

“I feel I am bringing her dream to life,” said Ms. Cann of performing the concerto, in a story from WHYY. She has been a champion of Ms. Price’s composition since reading it in 2016. At the same time Ms. Cann feels the composer played a role in helping her achieve her own dreams; both women have achieved significant firsts as Black female pianists. “I didn’t just get here; I got here with her piece,” she said in an interview for 6ABC. This is a piece she wanted to be heard.”

The Broad Street Review added to the praise: “Cann brings flawless technique and measurable passion to her assignment.”

Ms. Cann was appointed the Eleanor Sokoloff Chair in Piano Studies in November.

 


 

Curtis students, alumni, and faculty, are making remarkable accomplishments in the music world and beyond. Learn more about Curtis in the News.

Want More Curtis News?

Sign up today to receive Curtis Institute of Music's newsletter. We'll provide updates on performances, upcoming events, and so much more! Don't miss a moment of all that's happening at Curtis.

Emilie Kealani on WHYY's "On Stage at Curtis"

Season 18 of WHYY's acclaimed On Stage at Curtis series continues with a portrait of rising young soprano Emilie Kealani.

Meet the Student: Q&A with Bass-Baritone Robert Frazier

Bass-baritone Robert Frazier, from Star Lake, NY, stars as the Parson, Badger, and Harašta in Curtis Opera Theatre's The Cunning Little Vixen.

Curtis Announces Expansion of Conducting Program, Providing Unparalleled Training for Emerging Conductors

Renowned conducting pedagogue James Ross (’89) appointed as Director of Orchestral Studies, and Yannick Nézet-Séguin appointed Head of Conducting.