Perry, Schumann, and Mahler
A symphonic “Titan,” a popular piano concerto, and an orchestral tour de force
Under the baton of conductor Osmo Vänskä, former music director of the Minnesota Orchestra, the Curtis Symphony Orchestra presents neoclassical composer, pianist, and conductor Julia Perry’s dynamic Study for Orchestra (originally titled A Short Piece for Orchestra when it premiered in Turin, Italy, in 1952). This fiercely raucous, high-octane work shifts gears between intensely dramatic moments reminiscent of a menacing Bernard Hermann film score and quiet, poetic passages. In 1965, Perry’s energetic piece made history as the first work by a woman of color to be performed and recorded by the New York Philharmonic and only the third by a female composer.
Facing sexism and racial discrimination in a pre-Civil Rights world, as well as significant personal health issues, Perry was an inspiring trailblazer who left behind an extraordinary body of work when she died at age 55, with over a dozen symphonies, two concertos, and three operas. Although her compositions have been largely neglected until recent years, Perry’s work is primed for audience rediscovery and celebration.
The program continues with Schumann’s beloved Piano Concerto in A minor, featuring Amy Yang (’06), “a jaw-dropping pianist who steals the show…with effortless finesse” (The Washington Post). One of the most widely performed and recorded piano concertos in the Romantic repertoire, this challenging work forgoes fiery displays of virtuosity for subtlety, poise, and precision, flitting between elegant dreamlike passages and bold rhythmic syncopations, culminating in an exhilarating finale. The performance concludes with Mahler’s Symphony No. 1, “Titan,” considered one of the composer’s most accessible works, with its soaring melodies, thunderous crescendos, and triumphant conclusion.
Run time: Approximately two hours, including a twenty minute intermission
Program
| JULIA PERRY |
Study for Orchestra
Micah Gleason, conducting fellow |
|---|---|
| ROBERT SCHUMANN | Piano Concerto in A minor, Op. 54 |
| GUSTAV MAHLER | Symphony No. 1 in D major (“Titan”) |
Artists
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Osmo Vänskä Conductor
Performances of Mahler’s Symphony No.8 with Minnesota Orchestra in June 2022 provided a fitting culmination for Vänskä’s tenure as Music Director. Together they undertook five major European tours, as well as an historic trip to Cuba in 2015 – the first visit by an American orchestra since the two countries re-established diplomatic relations. They also made a ground-breaking tour to South Africa in 2018 as part of worldwide celebrations of Nelson Mandela’s Centenary – furthermore the first visit by an American orchestra — drawing together South African and American performers in musical expressions of peace, freedom, and reconciliation on a five-city tour. Vanska and Minnesota Orchestra also made an acclaimed return to the BBC Proms in Summer 2018.
This season he will conduct the symphony orchestras of Montreal, Gurzenich, Pittsburgh, San Diego, Philharmonia, Tokyo, Antwerp and Bergen Philharmonic. Vänskä will also return to his long-time partners- Minnesota Orchestra, Iceland and Lahti Symphony Orchestra.
Vänskä continues to develop a visiting and touring relationship with Curtis Symphony Orchestra, leading conducting seminars as well as tours in Europe, the US and Asia.
A distinguished recording artist for the BIS label, Vänskä has recorded all of Mahler’s symphonies with Minnesota Orchestra. The Fifth Symphony received a Grammy nomination in 2017 for Best Orchestral Performance. Vänskä and Minnesota Orchestra have also recorded the complete symphonies of Beethoven and Sibelius to critical acclaim, winning a Grammy Award for Best Orchestral Performance in 2014 as well as being nominated on several occasions. In 2021 they were voted Gramophone’s Orchestra of the Year.
Vänskä studied conducting at Finland’s Sibelius Academy and was awarded first prize in the 1982 Besançon Competition. He began his career as a clarinetist, occupying the co-principal chair of Helsinki Philharmonic Orchestra. He regularly performs chamber music, having been invited to La Jolla Summerfest, Seattle Chamber Music Festival, Naantali Summer Festival, Sysmä Summer Sounds and Music in Ruovesi, amoungst many others. He has recorded Bernhard Henrik Crusell’s three Clarinet Quartets and Kalevi Aho’s Clarinet Quintet for the BIS label and is in the process of recording several duos for clarinet and violin which he has commissioned with his wife, violinist Erin Keefe.
Vänskä is the recipient of a Royal Philharmonic Society Award, the Finlandia Foundation’s Arts and Letters award, and the 2010 Ditson Award from Columbia University and the Pro Finlandia medal awarded to him by the State of Finland. He holds honorary doctorates from the Curtis Institute of Music, and the universities of Glasgow and Minnesota, and was named Musical America’s 2005 Conductor of the Year. In 2013 he received the Annual Award from the German Record Critics’ Award Association for his involvement in BIS’s recordings of the complete works by Sibelius.
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Amy Yang Piano
Praised by the Washington Post as a “jaw-dropping pianist who steals the show…with effortless finesse,” pianist Amy Yang balances an active career as soloist, chamber musician, and pedagogue. Among Ms. Yang’s numerous collaborators are Yefim Bronfman, Roberto Díaz, Miriam Fried, Richard Goode, Kim Kashkashian, Ani and Ida Kavafian, Patricia Kopatchinskaya, Anne-Marie McDermott, Tito Muñoz, and Joseph Silverstein; the St. Paul and Mahler chamber orchestras; Third Coast Percussion; A Far Cry; members of the Guarneri String Quartet; and the Dover, Jasper, and Aizuri string quartets. She has appeared as a soloist with the Houston, Tuscaloosa, and Mansfield symphony orchestras; the Connecticut Virtuosi Chamber Orchestra, and Orquesta Juvenil Universitaria Eduardo Mata de la UNAM. Ms. Yang has also performed in solo and chamber recitals for the Philadelphia Chamber Music Society—including a solo recital and collaborations with Jasper String Quartet in piano quintets by Tania Léon and Joan Tower for their 35th season. She was also featured in a full episode of Emmy® Award-winning producer Jim Cotter’s Articulate, which aired on PBS in 2021.
At the Curtis Institute of Music, she is the Associate Dean of Piano Studies and Artistic Initiatives. She previously held the roles of Program Director and piano faculty of Curtis Summerfest’s Young Artist Summer Program for nine summers. She will make her debut playing Schumann’s Piano Concerto with the Curtis Symphony Orchestra under Osmo Vänskä at Verizon Hall at the Kimmel Center in April 2023.
Ms. Yang has premiered music by Caroline Shaw, Avner Dorman, Michael Hersch, Ezra Laderman, and Hua Yang. She has appeared in such prestigious venues such as Wigmore Hall and Carnegie Recital Hall; at the Marlboro, Ravinia, Aldeburgh, Bravo! Vail, Chelsea, Olympic, and Ojai music festivals; Verbier Academy; Cal Performances; Caramoor; IMS Prussia Cove; Music from Angel Fire; and Chamber Music Northwest, among others. Ms. Yang’s discography includes a debut solo album (MSR Classics); recordings with violinists Tessa Lark (First Hand Records) and Itamar Zorman (BIS Records) and clarinetist José Franch-Ballester (iTinerant Records); and a live recording of music by Michael Hersch, performed at the Aldebergh Festival (New Focus Records).
Ms. Yang is a graduate of the Curtis Institute of Music, the Juilliard School, and the Yale School of Music, and joined the Curtis faculty in 2011.
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Curtis Symphony Orchestra
Comprised of outstanding talent and unmatched enthusiasm for musical collaboration, Curtis Symphony Orchestra stands as a cornerstone of the Curtis Institute of Music experience and a vital component of Philadelphia’s vibrant cultural scene. For 100 years, our exceptional students have sharpened their skills and broadened their musical horizons, as they prepare for professional careers with the world’s foremost orchestras and chamber ensembles.
Special Thanks
Orchestral concerts are supported by the Jack Wolgin Curtis Orchestral Concerts Endowment Fund.
Guest conductor appearances for each Curtis Symphony Orchestra performance are made possible by the Rita E. and Gustave M. Hauser Chair in Conducting Studies.
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- Date Apr 15, 2023
- Time 3:00 p.m.
- Location Verizon Hall, Kimmel Center
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