Juliette Tacchino

"...breathtaking voice, at once soft, bright but full of depth..." –Revue L'Opéra

Described by Le Devoir as “an excellent actress with impeccable projection and style,” soprano Juliette Tacchino won the special jury prize at the 2024 Sumi Jo International Singing Competition and the 2024 French Riviera Masters Competition at the Opéra de Nice Côte d’Azur. In the 2025–26 season, she tours throughout the United States in chamber music concerts and recitals. In 2024–25, Juliette performed with Opéra Fuoco in France under Maestro David Stern, where she presented a recital at the Château d’Écouen, and performed the soprano soloist role in William Boyce’s Solomon at the Opéra de Massy. She also made role debuts as Susanna in Le nozze di Figaro under Nicholas McGegan and in Candide under David-Charles Abell with Curtis Opera Theatre, performed Vivier’s Lonely Child with the Curtis Symphony Orchestra, and joined internationally renowned soprano Sumi Jo on tour in China and South Korea. Other performance highlights include concert performances of Mélisande (Pelléas et Mélisande) and Sophie (Der Rosenkavalier) with Curtis Symphony Orchestra under the baton of Yannick Nézet-Séguin, as well as performing roles on stage, including Ginevra (Ariodante), Thérèse (Les Mamelles de Tirésias), Vixen (The Cunning Little Vixen), and as a featured soloist in a staged production of Handel’s L’Allegro, il Penseroso ed il Moderato. In concert, Juliette appeared as the soprano soloist in Mozart’s Requiem with the Binghamton Philharmonic, Mahler’s Symphony No. 4 with the Université de Montréal Orchestra, and Handel’s Dixit Dominus and Dettingen Te Deum with Monte-Carlo Chamber Orchestra.

Juliette received her Master of Music degree from Curtis Institute of Music and her bachelor’s degree from Université de Montréal.

Read full biography in the artist’s promotional kit.

Media

Poulenc: “Non Monsieur mon mari” from Les Mamelles de Tirésias

Handel: “Orrida agli occhi miei” from Ariodante

Debussy: “Mes longs cheveux descendent jusqu’au seuil de la tour…” from Pelléas et Mélisande

Mozart: “Deh Vieni non tardar” from Le nozze di Figaro

Lully: “Que vois-je ! Oh spectacle effroyable !” from Amadis

Caldara: “Nulla Pavento, Andrò” from Psiche

Press

“While most of the artists gave great performances, some talents stood out brilliantly. This is particularly the case of Juliette Tacchino. Her breathtaking voice, at once soft, bright but full of depth, largely convinced the audience, especially in her role as the Peruvian princess.” (Translation)
Revue L’Opéra (Québec), Les Indes galantes

“One singer truly dominated the subject head and shoulders: Juliette Tacchino…Impeccable projection, well-placed voice, pronunciation, style… If it was an exam, it was passed with flying colors and honors.” (Translation)
Le Devoir, Les Indes galantes

“Impeccable in the role…and an excellent actress” (Translation)
Le Devoir, La vie Parisienne

  • View More

    “…excellent in the theatrical performance and vocal qualities.” (Translation)
    LudwigVan MONTRÉAL, La vie Parisienne

    “In Tirésias, Juliette Tacchino brought a sparkling personality and a fearless high soprano to the title role. Her language skills as a native French speaker were certainly appreciated.”
    Broad Street View, Les Mamelles de Tirésias

    “The accomplished soprano Juliette Tacchino, a delight to hear throughout.”
    Opera News, Les Mamelles de Tirésias

    “Tacchino, a sensitive wellspring of calm…” “Tacchino’s optimism held alongside her determination.”
    The New York Times

    “…This sensitive musician delivers a beautifully crafted “Adieu, notre petite table”, an extract from Massenet’s Manon, sung – from her recitative onwards – in impeccable French, with a true art of phrasing and nuances that augur a career to follow closely.” (Translation)
    Première Loge Opéra

    “Juliette Tacchino launches into the air of La Folie from Platée and that of Thérèse (Les Mamelles de Tirésisas) which she serves with a sure, agile voice (skillful staccato vocalises in Platée), projected with great ease. Above all, the singer displays a beautiful humor.” (Translation)
    Première Loge Opéra

    “The eccentricity of [Juliette Tacchino[ was able to shine through not only in the choice of the extracts chosen (with Adelaide’s aria “It’s my wedding” by J. Dove), but also in the personal interpretation she made of it.”
    Opéra Online

Repertoire

  • Opera

    Bernstein: Candide, Paquette

    Debussy: Pelléas et Mélisande, Mélisande

    Handel: Ariodante, Ginevra

    Handel: Giulio Cesare, Cleopatra*

    Janáček: The Cunning Little Vixen, Vixen

    Massenet: Manon, Manon*

    Massenet: Werther, Sophie*

    Menotti: The Medium, Monica*

    Mozart: Don Giovanni, Zerlina

    Mozart: Idomeneo, Ilia

    Mozart: Le Nozze di Figaro, Susanna

    Offenbach: La Vie Parisienne, Pauline

    Poulenc: Dialogues des Carmélites, Blanche*

    Poulenc: Les Mamelles de Tirésias, Tirésias

    Rameau: Les Indes Galantes, Phani/Fatime

    R. Strauss: Der Rosenkavalier, Sophie*

    Verdi: Falstaff, Nannetta*

     

    *partial role performed

  • Concert, Recital, Oratorio, and Chamber Music

    Bach: St. John Passion

    Bach: Cantata BWV 202

    Bach: Cantata BWV 68

    Boulanger: Clairières dans le ciel

    Boyce: Solomon

    Clérambault: Cantata Orphée

    Debussy: Ariettes Oubliées

    Handel: Dixit Dominus

    Handel: L’Allegro, il Penseroso ed il Moderato

    Handel: Messiah

    Mahler: Symphony No. 4

    Mozart: Requiem

    Mozart: Exultate Jubilate

    Rameau: Cantata L’Impatience

    Poulenc: Gloria

    Poulenc: Stabat Mater

    Poulenc: Deux poèmes d’Aragon

    Poulenc: Métamorphoses

    Schubert: “Der Hirt auf dem Felsen” (“Shepherd on the Rock”)

    Vivaldi: Gloria

    Vivier: Lonely Child

Contact

General Management
Andrew Lane
Vice President, Touring and Artist Management
Executive Director, Curtis Artist Management
(215) 717-3124
andrew.lane@curtis.edu

Brayton Arvin
Artist Manager and Booking Representative
(215) 875-4204
brayton.arvin@curtis.edu

Booking Representatives (North America)
Julie Gaitens
Booking Representative
(215) 717-3146
julie.gaitens@curtis.edu

Booking Representative (Europe)
Julika Castro
Booking Representative, Europe
+49 (0)178-514 43 26
julika.castro@curtis.edu

Engagement Advancing (Curtis Artist Management)
Catelyn Cohen
Manager of Artist Services
(215) 717-3129
catelyn.cohen@curtis.edu