Saturday, July 13–Saturday, August 3, 2019
Experience conservatory-style living with a rigorous musical schedule and opportunities to perform in an intimate, challenging, and supportive environment. The three-week course features personalized attention from celebrated faculty, many of whom are Curtis alumni, with thriving pedagogical or performance careers.
Musicians aged 14 to 22 who have studied privately at the advanced level are welcome to apply.
Those interested in competing will be asked to submit a video recording of one movement of a standard concerto about six weeks before the start of the program. You may use a score for the video recording, but should you be selected to participate in the final round, your performance must be from memory. For the video, an accompanist is encouraged but not required. A panel of faculty judges will select ten finalists to go forward to the final round. Finalists will be notified by e-mail a week before the program begins. Each finalist will have ten minutes in front of a live jury during the first week of the program. Three prize-winners will be chosen. The first-prize winner will perform on one of the final concerts.
The pre-selected participants will be contacted prior to the program with details. All participants are required to observe any master classes specific to their instrument, and are also welcome to observe master classes for other instruments. In 2017 we were honored to welcome the following outstanding guest artists to lead the master classes for orchestral instruments:
Those interested in competing will be asked to submit a video recording of one movement of a standard concerto about six weeks before the start of the program. You may use a score for the video recording, but should you be selected to participate in the final round, your performance must be from memory. For the video, an accompanist is encouraged but not required. A panel of faculty judges will select ten finalists to go forward to the final round. Finalists will be notified by e-mail a week before the program begins. Each finalist will have ten minutes in front of a live jury during the first week of the program. The first-prize winner will perform on one of the final concerts.
The whole program, about 100 students, comes together through:
*Accepted applicants may inquire about installment plans. Those who apply after January 25 receive notification of admission and financial aid status on a rolling basis, as space remains available. Due date of payment for those who apply after the January 25 deadline will be sent with the admissions notification email.
*Application fee: $65 before noon EST on January 25, 2019; $100 (after January 25). Applicants also submit a $25 transaction fee.
**Includes three unlimited meals per day, housing in Lenfest Hall, and residential activities. Does not include travel or medical care. Local musicians are welcome to commute.
Acceptance to the Young Artist Summer Program is need-blind. Limited financial assistance from Curtis Summerfest may be available, but is not guaranteed. Notice of financial assistance awards will be included in the acceptance status e-mail.
Students and parents are also urged to seek financial assistance from local sources: self-organized fundraisers; school music organizations; county, state, or national music education organizations; youth orchestras and bands; music clubs; service clubs (Rotary, Kiwanas, etc.); businesses; local churches; and foundations.
Merit-based financial assistance
To apply for merit-based financial assistance, see section (Scholarship) of the online application. Answer “Yes” to the first question in this section (“Are you applying for merit-based financial assistance?”).
No further action is required to be considered for merit-based financial assistance.
Need-based financial assistance
To apply for need-based financial assistance, upload the following to section 4 (Scholarship) of the online application.
The majority of YASP applicants are dependent upon parent or guardians. If you are an older applicant and are financially independent, income documentation should be your own.
“The Young Artist Summer Program was the best experience of my life. Sincerely, all the expectations that I had before going to YASP were NOTHING compared to what I lived those 3 weeks in Philadelphia. The masterclasses, the chamber groups, the choir, my lessons with the faculty, the orchestra… All the activities that we had were amazing!! I enjoyed meeting people from all over the whole world and making music with them. I’m sure I not only met the greatest musicians of my age, I made friends that I know I will have for the rest of my life. If I could go back in time to any part of my life, I absolutely would go back to the summer I lived at Curtis.”
“It is hard to describe how profound an experience it was to work with someone of David Ludwig’s caliber and talent and what he imparted to me musically is hard to put into words, but I enjoyed the lessons with him very much. With the instruction and encouragement of David Ludwig and the other professors, along with the atmosphere that was created at Curtis Summerfest, I was able to create music and work at a level that was superior to anything I have so far achieved. … I learned so much & it inspired me toward deeper and sustained music study.”
“We appreciate the nurturing and supportive environment all of you created – it gave her a real boost in confidence and brought the joy she feels when playing music to the forefront. Your program gave her a more mature and whole way of looking at music as a career and way of life.”
” YASP has made me love music more and love life more, and I am forever grateful. It has changed my life.”
“The final concerts were nothing short of incredible. The sound of the orchestra was jaw-dropping and the sight of our son so poised at the piano left us overwhelmed with gratitude. He feels every aspect of the program this year helped develop him. … It is a gift that continues to give, long after the program ends.”
“At Curtis Summerfest, each day was so full of music that it seemed impossible to fit in any more, yet if there had been a way to include more music in every day (and still eat and sleep) I would have gladly done so. … Now, I often find myself encountering pieces, styles of music, and composers that I first learned about at YASP composition seminars.”