Repertoire list (what you have played in the past, either solo or chamber) to help us group you into the proper ensemble and section placement.
Statement of your musical goals for the weekend.
A digital photo of yourself, from which a photo ID will be generated. The photo must be full-face view directly facing the camera with both eyes open, no glasses, and no hat or head covering that obscures or shadows your face. (Head coverings worn daily for religious purpose are allowed.)
An audio or video recording of your playing, lasting no less than 10 and no more than 15 minutes. It doesn’t have to be professional and it is to help us group you into the proper ensemble and section placement. There are no repertoire requirements; however, we suggest two contrasting excerpts.
If you are attending with a previously formed group, there is no need to submit an audio or visual recording. Past attendees do not need to submit a photo or audio sample.
At the end of the registration on Acceptd, pay via credit card for registration fees, tuition, and if you're staying at Lenfest Hall, housing. Starting noon EST Wednesday, January 31, 2018, $60 will be added to the registration fee. Registration closes Sunday, March 18 at midnight EST.
*The flute section of Chamber Orchestra for Adults is now full. Flutists should please register for Chamber Music for Adults only, and check out the Jeffrey Khaner Flute Festival, open to all ages.
1. Stick around and get the most out of your experience.
We ask that you free yourself of other major work commitments that would take you away from the Curtis campus during this time. The chamber program schedule includes some flexible time, being built around five hour-long coachings with faculty. Those coachings are important for you and your fellow ensemble members. As our faculty members say: Chamber music is a democracy and every voice is imperative.
Therefore, missing a coaching for a prior commitment could mean being asked to leave the program without refund so that the rest of the chamber ensemble can proceed as scheduled with a hired substitute, should one be available. (This does not apply to medical emergencies.)
If you would like to participate in the program but know that you will not be present for its entirety, we encourage you to register with friends as a pre-formed ensemble, with the understanding that your group would be foregoing some coaching time by being otherwise committed.
2. Take your bow.
All participants perform in one of the final two chamber recitals on Sunday, May 20. We can't wait for you to have that thrill, and are honored every year by musicians’ generous gift of performing music in front of an audience. In the event that during the program you have a change in heart and start to feel nervous about performing, please reach out to staff so that we may assist you. We have been there! Exceptions can be made for pre-formed groups in which every member is in agreement and does not wish to perform.
When booking travel, please allow for the possibility your group will be scheduled on the afternoon recital. We also hope you’ll stay for the reception on the Dannenbaum Terrace!
3. Love the music, in all its many forms.
But if you have preferences of what type of piece you would like to work on, as we all do, please clearly indicate them on your registration and also allow for some level of flexibility. Faculty do their very best to accommodate requests as closely as possible for certain repertoire or ensemble types (string quartet vs. piano trio; ensemble with a Curtis student embedded or ensemble with people from a certain geographic area; etc.). However, our ability to accommodate such requests is based on the program’s enrollment, and so not all requests can be fully honored. Those with a specific piece in mind are encouraged to register as a fully pre-formed ensemble. That doesn’t mean that if you love baroque and classical we’ll assign you a contemporary piece! It just means if your heart is set on having a Curtis student in your group, tell us that is your priority. Or, if you desperately want to make this the year for a difficult piece you’ve been working towards, maybe recruit some friends who are up to the challenge to sign-up as a pre-formed group! If in doubt, contact us at Summerfest before you register and we’ll be more than happy to discuss what you are hoping for.
*Registration fee: $65 before January 31, 2018 at noon EST; $125 (NOON EST January 31–11:59 a.m. EST March 15).
All registrants also submit $25 transaction fee on the application platform.
Registration closes noon EST Friday, March 15, 2018.
Avocational musicians between the ages of 25 to 35 who live in the Philadelphia area are invited to apply for the Bryan Anderson and Patrick Kreeger Scholarship, which covers partial to full tuition for young professionals who might not otherwise have the financial resources to participate. For more details, please contact email@example.com.
Curtis Donors, from the Player's Circle (those who have given $75 to Curtis Institute) and above, receive 15% discount on tuition. Contact firstname.lastname@example.org for your discount code to be entered at the end of registration.