Overtones, the semiannual magazine for Curtis family and friends
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SPRING 2016 ISSUE
Meet the Students: Having grown up at Curtis. Daniel Hsu's time has come. (p. 7)
Meet the Faculty: Curtis double bassists develop their varied strengths under the generous and firm guidance of Hal Robinson. (p. 10)
Alumni Homecoming: Curtis hosted graduates from the 1930s to the 2010s at a September reunion. (p. 13)
A Sinfonia Diary: Presenting Luciano Berio's whirling tour-de-force was a six-month team effort. Coaches and performers reflect on the journey. (p. 16)
"A Near-Utopian Community...": An archival exhibit focuses on student life through the decades. (p. 22)
The Compleat Musician: Liberal arts faculty member Caroline Meline considers teaching philosophy in the conservatory. (p. 27)
First Person: Curtis viola graduate Jessica Chang weaves a fulfilling artistic life from multiple strands. (p. 28)
Meet the Alumni: For organ virtuoso Paul Jacobs, advocacy and artistry go hand in hand. (p. 31)
FALL 2015 ISSUE
Bold Intentions: From the heart of Curtis, a new strategic direction emerges
to propel the school toward its 2024 centenary
Darmstadt: Designing Curtis's latest All-School Project
The Divine Tone: Don Liuzzi inspires his timpani and percussion students to translate ideas into music.
First Person: ArtistYear Fellow Wade Coufal reflects on opening the world of music to young hospital patients.
Compleat Musician: Catalogue of Virtues—Overtones looks at the 1924-25 Catalogue.
Spring 2015 issue
Then and Now: Celebrating Curtis’s 90th-anniversary year with a look back at the school’s storied history
Meet the Faculty: Richard Woodhams transmits a cherished tradition to his oboe students.
First Person: Viola graduate Ren Martin-Doike benefits from a lifetime of accumulated wisdom, courtesy of longtime faculty member Joseph de Pasquale.
Meet the Students: Composition Student Rene Orth takes on two opera assignments- and triumphs.
Fall 2014 issue
COVER STORY: How Curtis became an incubator for great American string quartet players
TOUR TALES: Curtis On Tour shifts into overdrive, and students experience accelerated growth
MAKE A DIFFERENCE: One young artist’s approach to making music in the 21st century
FIRST PERSON: The program director of Curtis Summerfest’s Young Artist Summer Program reflects on its advantages for high school-aged musicians
MEET THE ALUMNI: Through Play On Philly, Stanford Thompson offers a new path to budding musicians.
Spring 2014 issue
COVER STORY: Violinist Ida Kavafian tailors her teaching approach to every student
THE COMPLEAT MUSICIAN: Behind the scenes at Curtis, the Rock Resource Center is a crucial center of activity and study.
WHERE ECOSYSTEMS MEET
Percussionist Ted Babcock explores the interaction between electronic and acoustic music.
FIRST PERSON: Curtis’s first conducting fellow, Kensho Watanabe, learns from an eminent mentor: Yannick Nézet-Séguin.
CREATING COLD MOUNTAIN: Student singers help to shape a major modern opera by Jennifer Higdon.
CONSPICUOUSLY CURTIS: The Philadelphia Orchestra's Philadelphia Commissions micro-festival puts Curtis talent center stage.
Curtis travels to the land of revolutions and orthodoxy, icons, and samovars, to examine the vast musical culture of Russia and Eastern Europe.
FALL 2013 ISSUE
Cover Story Beethoven, Unlimited: Can the Internet open up classical music to a wider audience? Piano faculty member Jonathan Biss reflects on his Coursera class, Exploring the Beethoven Piano Sonatas. (PDF)
The New Curtis Curriculum: A strategic review of the Curtis curriculum transforms classroom learning. Paul Bryan leads a tour. (PDF)
Meet the Faculty: Musical Studies Chair Jonathan Coopersmith lends wit and clarity to rigorous classes, writes Dave Allen. (PDF)
Meet the Students: Cellist Arlen Hlusko discovers a Schoenberg
masterwork and much more. Matthew Barker reports. (PDF)
SPRING 2013 ISSUE
Cover Story: The Curtis Opera Theatre gives students professional-level experiences and polish, plus a degree of versatility unusual for young singers. (PDF)
Before the War: A national magazine visited Curtis to photograph daily life in 1938.
Birds of a Feather: In its groundbreaking three-year residency at Curtis, the leading new-music ensemble eighth blackbird is providing a model for students to follow. (PDF)
Ears Wide Open: Violinist Nigel Armstrong explores every musical opportunity. (PDF)
Message from the President: Point of Departure (PDF)
Fall 2012 Issue
Cover story: Postcards from Dresden (PDF)
Lessons in Leadership: The new Community Artists Program lets students drive innovation. (PDF)
The Mueller Touch: Curtis's legendary maestro remains a towering influence. (PDF)
Message from the President: Playing to the World (PDF)
SPRING 2012 ISSUE
Musical Marathon: Curtis On Tour goes to Asia (PDF)
In the Hall: Memories of Field Concert Hall unite generations of alumni (PDF)
Meet the Students: Guitarists bring a fresh sound to Curtis (PDF)
Fall 2011 Issue
Celebrate Appassionato! An exceptional year for an extraordinary school (PDF)
Room to Grow: Lenfest Hall (PDF)
Spring 2011 Issue
Six Strings Seek Classical Stature: First classical guitarists enroll in Fall 2011 (PDF)
Tracing Curtis Traditions: Curtis's rich heritage has deeper roots than you may realize (PDF)
From the Heart: For a quarter century, Mikael Eliasen has guided Curtis singers (PDF)
Fall 2010 Issue
Commencement 2010: "We're never really done with Curtis" (PDF)
Curtis Opera Theatre: A 1980s 'Do for The Barber of Seville (PDF)
Spring 2010 Issue
Message from the President: Keeping current (PDF)
A Kaleidoscope of Knowledge and Expertise: Curtis performance faculty offer an array of opportunities to a new generation (PDF)
Meet the Alumni: Matthew Rose (Opera '03) journeys between continuity and reinvention (PDF)
Managing Director of External Affairs and Patron Engagement