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A
violist of international reputation, Curtis President Roberto Díaz
follows in the footsteps of renowned artist/directors Gary Graffman,
Efrem Zimbalist, Rudolf Serkin, and Josef Hofmann. As a viola teacher
at Curtis and as principal viola of the Philadelphia Orchestra from
1996 to 2006, Mr. Díaz has already had a significant impact
on American musical life and continues to do so in his dual roles
as performer and educator.
Some of Mr. Díaz's recent and upcoming performances include
the Kansas City Symphony with Michael Stern, Fort Worth Symphony
with Miguel Harth-Bedoya, New World Symphony with Michael Tilson
Thomas, Netherlands Philharmonic with Yakov Kreizberg, Philadelphia
Orchestra with Gilbert Varga, Orquesta Sinfónica del Principado
de Asturias with Krzysztof Penderecki, Orquesta Simfónica
de Barcelona with James Judd, and the Bilbao Symphony. Other orchestral
engagements include the National Symphony, Philadelphia Orchestra,
Boston Pops, Bavarian Radio Orchestra, Gulbenkian Orchestra, Orquesta
Nacional de España, Russian State Symphony, Saarbrücken
Radio Orchestra, and the Orquesta Simón Bolivar.
This season, he will perform with a quartet of Curtis students
and cellist Margo Tatgenhorst Drakos ('99) as part of Curtis On
Tour, a new initiative that brings the extraordinary artistry of
Curtis to audiences nationwide. In May 2007, Mr. Díaz performed
Krzysztof Penderecki's Concerto for Viola and Orchestra in Carnegie
Hall with the Curtis Symphony Orchestra and Christoph Eschenbach.
Mr. Díaz has collaborated with conductors such as Roberto
Abbado, Riccardo Chailly, Charles Dutoit, Rafael Frühbeck de
Burgos, Richard Hickox, Christopher Hogwood, Peter Oundjian, Hugh
Wolff, and David Zinman. In addition to Krzysztof Penderecki, he
has also worked with important 20th- and 21st-century composers,
including Edison Denisov and Roberto Sierra.
In 2006 Naxos released a recording by Mr. Díaz of viola
transcriptions by William Primrose, which was nominated for a Grammy
Award. Mr. Primrose served on the Curtis faculty from 1942 to 1951
and owned the 1595 Amati viola on which Mr. Díaz performs.
Mr. Díaz's other releases include a live recording of Jacob
Druckman's Viola Concerto with the Philadelphia Orchestra conducted
by Wolfgang Sawallisch (New World Records, 2001) and works by Henri
Vieuxtemps for viola and piano (Naxos, 2004).
An active chamber musician, Mr. Díaz has performed with
artists such as the Emerson String Quartet, Emanuel Ax, Yefim Bronfman,
Christoph Eschenbach, Yo-Yo Ma, Mr. Sawallisch, and Isaac Stern.
His festival appearances include Marlboro, Mostly Mozart at Lincoln
Center, Spoleto, Kuhmo, and Verbier, among many others.
As a member of the Díaz Trio, with violinist Andrés
Cárdenes and cellist Andrés Díaz, he has performed
throughout the United States, Canada, Europe, Mexico, and Chile.
The trio was one of two ensembles invited by Isaac Stern to participate
in a special concert celebrating the next one hundred years of music-making
at Carnegie Hall. The Díaz Trio is an ensemble in-residence
at the Brevard Music Festival and toured China in the summer of
2006.
Mr. Díaz was principal viola of the National Symphony under
Mstislav Rostropovich, a member of the Boston Symphony under Seiji
Ozawa, and a member of the Minnesota Orchestra under Neville Marriner.
While in the Philadelphia Orchestra, he served as a board member
for three years, including two years on the executive committee.
He has received numerous awards, including prizes at the Naumburg
and Munich international viola competitions, and was featured on
the cover of the January 2003 issue of The Strad. He was selected
by Music Director Christoph Eschenbach to receive the Philadelphia
Orchestra's 2006 C. Hartman Kuhn Award, given annually to "the
member of the Philadelphia Orchestra who has shown ability and enterprise
of such character as to enhance the standards and the reputation
of the Philadelphia Orchestra."
Mr. Díaz joined the faculty of The Curtis Institute of Music
in 2000 and holds the James and Betty Matarese Chair in Viola Studies.
He has served on the faculty at the Peabody Institute and Rice University
and has taught master classes at conservatories around the United
States and abroad.
More information on Mr. Díaz can be found at www.robertodiazviola.com.
PHOTO: Alan Kolc
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