Keyboard Studies for non-keyboard majors takes place over four semesters, and for keyboard players, over five semesters. It serves as a companion to the study of music theory and analyses. All classes are one hour per week. Students will learn how to apply their knowledge of counterpoint, harmony, and voice-leading fluently and confidently at the piano. Exercises include figured bass realization, harmonization of melodies, clef reading, and counterpoint improvisation.
Keyboard Studies I (for non-keyboard majors only)
Keyboard geography and the review of scales, intervals, triads, and 7th chords. Includes an introduction to figured bass, clef reading, and counterpoint improvisation.
Keyboard Studies II
Includes two-part score reading, figured-bass realization of 5/3 and 6/3 chords, short harmonic progressions of tonic expansion and cadences, and harmonization of melodic fragments.
Keyboard Studies III
Continuing two-part score reading, figured-bass realization of 5/3, 6/3, and 6/4 chords, diatonic progressions in different keys, and harmonization of soprano and/or bass melodies.
Keyboard Studies IV
Three-part and four-part score reading, figured-bass realization incorporating suspensions and chromatic harmonies, diatonic and chromatic progressions in different keys including applied dominants, harmonization of soprano and/or bass melodies, and harmonization of folk songs.
Keyboard Studies V and VI
Required for keyboard majors only, and open as an elective for anyone interested with sufficient keyboard skill. Exercises include advanced figured-bass realization, score reading at the piano, and advanced counterpoint.